Mapema
Oduh Orlando. Released by Turtuga Productions.
We are not a record label.
Most of our work begins after the release. We develop music and cultural intellectual property, keep the rights position clear, and take it to market across four connected capabilities.
Music, media and IP.
Owned, not rented.
A catalogue is not a marketing asset. It is a position. We develop music and cultural intellectual property we can stand behind years after release, and we keep the documentation in a state where a licensing question has an answer.
That is the difference between owning work and renting attention.
The rights position is a creative decision.
01
Develop
Artists, writers and catalogue, built for the long term.
02
Produce
Recording, scoring and delivery to broadcast standard.
03
Manage
Documentation kept current, so clearance questions have answers.
04
Commercialise
Licensing, partnership and placement into markets that fit.
A straight answer on what can be cleared.
01
Tell us the scene
Medium, territory, term and the feeling you are after. A rough cut helps more than a brief.
02
We check the rights
We tell you what we control, what we do not, and where a third party has to be asked. Per track, in writing.
03
You get a quote
Scope, fee and paperwork. If a clearance is not clean, we say so rather than sell around it.
Music travels first.
It crosses borders faster than the businesses built around it. Our work sits in that gap. Curaçao roots, a studio in Hilversum, and a catalogue meant to outlast the campaign that introduced it.